Time-lapse Images of Nude Dancers Created with 10,000 Individual Photographs Colossal
Time-lapse Images of Nude Dancers Created with 10,000 Individual Photographs
NY-based photographer Shinichi Maruyama created these lovely photographs using nearly 10,000 individual photographs of a nude dancer in motion. The abstract images remind me of Japanese ink wash painting, as if the figures were cread by the stroke of a thick brush, which is not unsuprising considering Maruyama’s previous work with water sculptures. Of the photos Shin says:
I tried to capture the beauty of both the human body’s figure and its motion. The figure in the image, which is formed into something similar to a sculpture, is created by combining 10,000 individual photographs of a dancer. By putting together uninterrupted individual moments, the resulting image as a whole will appear to be something different from what actually exists. With regard to these two viewpoints, a connection can be made to a human being’s perception of presence in life.
See much more on his website. All images courtesy the artist. (via kottke, petapixel)
via Time-lapse Images of Nude Dancers Created with 10,000 Individual Photographs Colossal.
Moth Trails at Night | Colossal
Ontario-based ceramicist Steve Irvine caught this wonderful long exposure shot of fluttering moths swirling around a floodlight at night. Via National Geographic:
Fluttering wings leave lacy trails as moths beat their way to a floodlight on a rural Ontario lawn. The midsummer night’s exposure, held for 20 seconds, captured some of the hundreds of insects engaged in a nocturnal swarm.
curation enhancing the everyday photography technology
by amandine
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body consumption curation enhancing the everyday photography technology
by amandine
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Luke Evans & Josh Lake: I am a camera
We’ve seen some odd student projects in our time here at CR, but this must go down as one of the oddest: two Kingston students created human photograms by swallowing 35mm film, then, erm, expelling it, and recording the results
Luke Evans (above) and and Josh Lake (below) are in the final first year of the BA Graphic Design & Photography at Kingston University. For their final major project they “wanted to bring our insides out” they say. “So we ate 35mm photographic film slides and let our bodies do the rest.”
Both students ate pieces of 35mm slide film, ‘expelled’ it in the dark, fixed the silver and then scanned the pieces using an electron microscope in order to record the traces their bodies had left on the film’s surface.
“The full-sized images are 10,000 pixels on the longest edge, allowing you to see every detail of what our bodies produced,” they say, as can be seen from this shot of the work on show.
See more of Luke Evans’ work here
And Josh Lake’s here
Descriptive Camera – Matt Richardson
Matt Richardson created a camera which doesn’t deliver a photo but a description of the photo it made. Eh what? After the shutter button is pressed, the Descriptive Camera sends the photo to Amazons Mechanical Turk for processing. Somewhere someone receives this photo and writes a short description about what’s on the photo, that person receives a small payment for this task. As soon as that text comes back, a thermal printer outputs the result in the style of a polaroid print.
How cool is that!
consumption everyday photography publication rainbow Wabi Sabi
by amandine
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Mandy Barker: SOUP
SOUP is a description given to plastic debris suspended in the sea,
and with particular reference to the mass accumulation that exists
in an area of The North Pacific Ocean known as the Garbage Patch.
The series of images aim to engage with, and stimulate an emotional
response in the viewer by combining a contradiction between initial
aesthetic attraction and social awareness. The sequence reveals a
narrative concerning oceanic plastics from initial attraction and
attempted ingestion, to the ultimate death of sea creatures and
representing the disturbing statistics of dispersed plastics having
no boundaries.All the plastics photographed have been salvaged from beaches
around the world and represent a global collection of debris that
has existed for varying amounts of time in the world’s oceans.The captions record the plastic ingredients in each image providing
the viewer with the realisation and facts of what exists in the sea.
architecture camouflage enhancing the everyday giant photography
by amandine
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EVOL, Huge Buildings Mural, Paris
EVOL did this 13 meter X 3.5 meter wall for Point Ephémère, an exhibition in Paris.
via EVOL, Huge ‘Buildings’ Mural, Paris – unurth | street art.


























